Posts Tagged ‘site-specific’

Kiez Hören Moabit

Aug-Sep 2013, Moabit City Garden

Kiez Hören Moabit (Hearing the Kiez of Moabit) is a long-term research project in collaboration with sound-artists Guillermo Lares and Klaus Hamlescher, with an aim to describe and archive transformation of district Moabit using the sound as primary media. By introducing sound-cartography, sound-walks and sound-performances, Moabit City Garden has been turn into the hearing station with diverse audience, spatial characteristics and climate conditions.

3 main events showed multilayered sound condition of this particular space at the border of calm Kiez and heavy industry.

30.08.2013

Collective Mapping Walk  (part of B_Tour Festival)  tried to re-communicate tour as artistic strategy and involve participants into collective analysis of the location characteristics.

13.09.2013 

Second walk focused on multi-scalar characteristic of sound, sound-panoramas and sound-section of the location.

20.09.2013 

Finally, performative potential of the sound explorations has been presented by giving audience props to ‘design’ their own soundscapes.

03

10 2013

Exhibition ‘People’s (Re)public’_by Cleaner Art Space

July 25th – August 30th, photo/postcards exhibition by Cleaner Art Space (Gallery on Critical Urbanism)

Summer, Sun, Holidays…What about sending some postcards? Our guests from Shanghai present serial of ‘critical postcards’, catching particular moments of urban informalities in the contemporary Chinese urban development.

‘People’s (Re)public’ focus at the specific urban condition of ‘appropriation’. It often balances in between the formal and informal but is not limited to this. The topic investigates people’s appropriation of space to a use not intended by its preliminary design or planning.

The exhibition questions the modern ‘planned city’ in regard of who is actually animating urban space. Is it architects, planners, lawmakers, investors, or the inhabitants and users them selves? A number of examples show the city from a use occurring by its inhabitants. A use that from a design point was likely not planned.

Focus is on people’s own appropriations of spaces and public facilities around them that due to shortcomings, or simply because another use than intended is more popular or necessary, have made use for alternate activities.

02

10 2013

LOCAL MAPPING_Urban Prothesis_by Miryana Todorova

Saturday, June 8th, Temporary Installation/ Performative Actions

The project ‘Movable Architecture’ by Miryana Todorova lands at ZK/U and adapts as a parasite structure to the K67_Urban Router. The bond between the two types of temporary structures generates an unstable lapse of time, like a Utopian Experiment in Flight. Visitors to the site are given the possibility to play with the structures, connect to them with extra bondages and belts, become part of them, wear and fully operate them as a mapping vehicle in search for transformation.

Side project of the exhibition Subterranean Echoes, group-show in conjunction with ORTSTERMIN 2013 

Photos by Miryana Todorova

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06 2013

Made in Omnitopia_Meaningful interaction without words

Last week we hosted performance Made in Omnitopia, work of Paula Marie Hildebrandt and Natalie Fari.

The concept of Omnitopia, originally coined by American scholar Andrew Wood, provided a theoretical starting point and practical framework for the performance project Made In Omnitopia-Berlin 2013, serious of performative interactions without words.

After testing their concept inside Fitness Centre, Mall and Wireless bubble, two artists decided to incorporate Kiosk-situation into series of performances to document the process through which places become Omnitopia.

Photos > Michaela Muchina 

03

06 2013

LOCAL MAPPING_Moabit Citygarden_Mapping MPA-B 2013

In attempt to create ‘deep map’ of Moabiter Stadtgarten, we have a chance to map ephemeral present of 7 looped performances during the Month of Performance Art 2013.

Curated by Atelier Obra Viva, this collective appropriation of the public park (and to a certain extent ZKU building) produced many unexpected interactions and erased the line between spectator and performer.

Mapping process focused on two socio-spatial relations of the artist and park; initially as a site-responsive interpretation of existing ‘over-designed’ space and finally as a part of collective-body (that includes audience) during the group slow-walks.

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05 2013